Red is the color at the longer-wavelengths end of the spectrum of visible light next to orange, at the opposite end from violet. Red colour has a predominant light wavelength of roughly 620–740 nanometers. Light with a longer wavelength than red but shorter than terahertz radiation and microwave is called infrared.
Red is one of the additive primary colors of visible light, along with green and blue, which in Red Green Blue (RGB) colour systems are combined to create all the colours on a computer monitor or television screen. Red is additionally one of the subtractive primary colors, along with yellow and blue, of the RYB colour space and traditional color wheel used by painters and artists. Reds can vary in shade from quite light pink to quite dark maroon or burgundy; and in hue from the bright orange-red scarlet or vermilion to the bluish-red crimson. Red is the complementary color of cyan.
In nature, the red colour of blood comes from hemoglobin, the iron-containing protein found in the red blood cells of all vertebrates. The red colour of the Grand Canyon and additional geological features is caused by hematite or red ochre, both forms of iron oxide. It additionally causes the red colour of the planet Mars. The red sky at sunset and sunrise is caused by an optical effect known as Rayleigh scattering, which, when the sun is low or below the horizon, increases the red-wavelength light that reaches the eye. The colour of autumn leaves is caused by pigments called anthocyanins, which are produced towards the end of summer, when the green chlorophyll is no longer produced. One to two percent of the human population has red hair; the colour is produced by high levels of the reddish pigment pheomelanin (which additionally accounts for the red colour of the lips) and relatively low levels of the dark pigment eumelanin.
Since red is the colour of blood, it has historically been associated with sacrifice, danger and courage. Modern surveys in the United States and Europe show red is additionally the colour most commonly associated with heat, activity, passion, sexuality, anger, love and joy. In China, India and a large number of additional Asian countries it is the colour of symbolising happiness and good fortune.
Etymology and definitions
The word red is derived from the Old Englishrēad. The word can be further traced to the Proto-Germanicrauthaz and the Proto-Indo European root rewdʰ-. In Sanskrit, the word rudhira means red or blood. In the Akkadian language of Ancient Mesopotamia and in the modern Inuit language of Inuit, the word for red is the same word as "like blood".
The words for 'colored' in Latin (coloratus) and Spanish (colorado) both additionally mean 'red.' In Portuguese the word for red is vermelho, which comes from Latin "vermiculus", meaning "little worm".
In the Russian language, the word for red, Кра́сный (krasniy), comes from the same old Slavic root as the words for "beautiful"—красивый (krasiviy) and "excellent"—прекрасный (prekrasniy). Thus Red Square in Moscow, named long before the Russian Revolution, meant simply "Beautiful Square".
In heraldry, the word gules is used for red.
Shades and varieties
Red can vary in hue from orange-red to violet-red, and for each hue there's a wide variety of shades and tints, from quite light pink to dark burgundy.
In art and culture
Inside cave 13B at Pinnacle Point, an archaeological site found on the coast of South Africa, paleoanthropologists in 2000 found evidence that, between 170,000 and 40,000 years ago, Late Stone Age people were scraping and grinding ochre, a clay coloured red by iron oxide, probably with the intention of using it to colour their bodies.
Red hematite powder was additionally found scattered around the remains at a grave site in a Zhoukoudian cave complex near Beijing. The site has evidence of habitation as early as 700,000 years ago. The hematite might have been used to symbolise blood in an offering to the dead.
Red, black and white were the first colours used by artists in the Upper Paleolithic age, probably because natural pigments such as red ochre and iron oxide were readily available where early people lived. Madder, a plant whose root can be made into a red dye, grew widely in Europe, Africa and Asia. The cave of Altamira in Spain has a painting of a bison coloured with red ochre that dates to between 15,000 and 16,500 BC.
A red dye called Kermes was made beginning in the Neolithic Period by drying and then crushing the bodies of the females of a tiny scale insect in the genus Kermes, primarily Kermes vermilio. The insects live on the sap of certain trees, especially Kermes oak trees near the Mediterranean region. Jars of kermes have been found in a Neolithic cave-burial at Adaoutse, Bouches-du-Rhône. Kermes from oak trees was later used by Romans, who imported it from Spain. A different variety of dye was made from Porphyrophora hamelii (Armenian cochineal) scale insects that lived on the roots and stems of certain herbs. It was mentioned in texts as early as the eighth century BC, and it was used by the ancient Assyrians and Persians.
Kermes is additionally mentioned in the Bible. In the Book of Exodus, God instructs Moses to have the Israelites bring him an offering including cloth "of blue, and purple, and scarlet." The term used for scarlet in the fourth century Latin Vulgate version of the Bible passage is coccumque bis tinctum, meaning "colored twice with coccus." Coccus, from the ancient Greek Kokkos, means a tiny grain and is the term that was used in ancient times for the Kermes vermilio insect used to make the Kermes dye. This was additionally the origin of the expression "dyed in the grain."
In ancient Egypt, red was associated with life, health, and victory. Egyptians would colour themselves with red ochre throughout celebrations. Egyptian women used red ochre as a cosmetic to redden cheeks and lips and additionally used henna to colour their hair and paint their nails.
But, like a large number of colors, it additionally had a negative association, with heat, destruction and evil. A prayer to god Isis said: "Oh Isis, protect me from all things evil and red." The ancient Egyptians began manufacturing pigments in about 4000 BC. Red ochre was widely used as a pigment for wall paintings, particularly as the skin colour of men. An ivory painter's palette found inside the tomb of King Tutankhamun had small compartments with pigments of red ochre and five additional colors. The Egyptians used the root of the rubia, or madder plant, to make a dye, later known as alizarin, and additionally used it to colour white power to use as a pigment, which became known as madder lake, alizarin or alizarin crimson.
In Ancient China, artisans were making red and black painted pottery as early as the Yangshao Culture period (5000-3000 BC). A red-painted wooden bowl was found at a Neolithic site in Yuyao, Zhejiang. Other red-painted ceremonial objects have been found at additional sites dating to the Spring and Autumn period (770–221 BC).
During the Han dynasty (200 BC to 200 AD) Chinese craftsmen made a red pigment, lead tetroxide, which they called ch-ien tan, by heating lead white pigment. Like the Egyptians, they made a red dye from the madder plant to colour silk fabric for gowns and used pigments coloured with madder to make red lacquerware.
Red lead or Lead tetroxide pigment was widely used as the red in Persian and Indian miniature paintings as well as in European art, where it was called minium.
In India, the rubia plant has been used to make dye after ancient times. A piece of cotton dyed with rubia dated to the third millennium BC was found at an archaeological site at Mohenjo-daro. It has been used by Indian monks and hermits for centuries to dye their robes.
The early inhabitants of America had their own vivid crimson dye, made from the cochineal, an insect of the same family as the Kermes of Europe and the Middle East, which feeds on the Opuntia, or prickly pear cactus plant. Red-dyed textiles from the Paracas culture (800–100 BC) have been found in tombs in Peru.
Red additionally featured in the burials of royalty in the Maya city-states. In the Tomb of the Red Queen inside Temple XIII in the ruined Maya city of Palenque, (600–700 AD), the skeleton and ceremonial items of a noble woman were completely covered with bright red powder made from cinnabar.
In Ancient Rome, Tyrian purple was the colour of the Emperor, but red had an important religious symbolism. Romans wore togas with red stripes on holidays, and the bride at a wedding wore a red shawl, called a flammeum. Red was used to colour statues and the skin of gladiators. Red was additionally the colour associated with army; Roman soldiers wore red tunics, and officers wore a cloak called a paludamentum which, depending upon the quality of the dye, can be crimson, scarlet or purple. In Roman mythology red is associated with the god of war, Mars. The vexilloid of the Roman Empire had a red background with the letters SPQR in gold. A Roman general receiving a triumph had his entire body painted red in honour of his achievement.
The Romans liked bright colors, and a large number of Roman villas were decorated with vivid red murals. The pigment used for a large number of of the murals was called vermilion, and it came from the mineral cinnabar, a common ore of mercury. It was one of the finest reds of ancient times – the paintings have retained their brightness for more than twenty centuries. The source of cinnabar for the Romans was a group of mines near Almadén, southwest of Madrid, in Spain. Working in the mines was extremely dangerous, after mercury is highly toxic; the miners were slaves or prisoners, and being sent to the cinnabar mines was a virtual death sentence.
After the fall of the Western Roman Empire, the Byzantine Empire, the princes of Europe and the Roman Catholic Church adapted red as a colour of majesty and authority. It additionally played an important part in the rituals of the Catholic Church - it symbolised the blood of Christ and the Christian martyrs - and it associated the power of the kings with the sacred rituals of the Church.
Red was the colour of the banner of the Byzantine emperors. In Western Europe, Emperor Charlemagne painted his palace red as a quite visible symbol of his authority, and wore red shoes at his coronation. Kings, princes and, beginning in 1295, Roman Catholic cardinals began to wear red coloured habitus. When Abbe Suger rebuilt Saint Denis Basilica outside Paris in the early twelfth century, he added stained glass windows coloured blue cobalt glass and red glass tinted with copper. Together they flooded the basilica with a mystical light. Soon stained glass windows were being added to cathedrals all across France, England and Germany. In Medieval painting red was used to attract attention to the most important figures; both Christ and the Virgin Mary were commonly painted wearing red mantles.
Red clothing was a sign of status and wealth. It was worn not only by cardinals and princes, but additionally by merchants, artisans and townpeople, particularly on holidays or special occasions. Red dye for the clothing of ordinary people was made from the roots of the rubia tinctorum, the madder plant. This colour leaned toward brick-red, and faded easily in the sun or throughout washing. The wealthy and aristocrats wore scarlet clothing dyed with kermes, or carmine, made from the carminic acid in tiny female scale insects, which lived on the leaves of oak trees in Eastern Europe and around the Mediterranean. The insects were gathered, dried, crushed, and boiled with different ingredients in a long and complicated process, which produced a brilliant scarlet.
Brazilin was another popular red dye in the Middle Ages. It came from the Sapanwood tree, which grew in India, Malaysia and Sri Lanka. A similar tree, brazilwood, grew on the coast of South America. The red wood was ground into sawdust and mixed with an alkaline solution to make dye and pigment. It became one of the most profitable exports from the New World, and gave its name to the nation of Brazil.
Red has been an important colour in Chinese culture, religion, industry, fashion and court ritual after ancient times. Silk was woven and dyed as early as the Han Dynasty (25–220 BC). China had a monopoly on the manufacture of silk until the sixth century AD, when it was introduced into the Byzantine Empire. In the twelfth century, it was introduced into Europe.
At the time of the Han Dynasty, Chinese red was a light red, but throughout the Tang dynasty new dyes and pigments were discovered. The Chinese used several different plants to make red dyes, including the flowers of carthamus tinctorius, the thorns and stems of a variety of sorghum plant called Kao-liang, and the wood of the sappanwood tree. For pigments, they used cinnabar, which produced the famous vermillion or "Chinese red" of Chinese laquerware.
Red played an important role in Chinese philosophy. It was believed that the world was composed of five elements: metal, wood, water, fire and earth, and that each had a color. Red was associated with fire. Each Emperor chose the colour that his fortune-tellers believed would bring the most prosperity and good fortune to his reign. During the Zhou, Han, Jin, Song and Ming Dynasties, red considered a noble color, and it was featured in all court ceremonies, from coronations to sacrificial offerings, and weddings.
Red was additionally a badge of rank. During the Song dynasty (906–1279), officials of the top three ranks wore purple clothes; those of the fourth and fifth wore bright red; those of the sixth and seventh wore green; and the eighth and ninth wore blue. Red was the colour worn by the royal guards of honor, and the colour of the carriages of the imperial family. When the imperial family traveled, their servants and accompanying officials carried red and purple umbrellas. Of an official who had talent and ambition, it was said "he is so red he becomes purple."
Red was additionally featured in Chinese Imperial architecture. In the Tang and Song Dynasties, gates of palaces were usually painted red, and nobles often painted their entire mansion red. One of the most famous works of Chinese literature, A Dream of Red Mansions by Cao Xueqin (1715–1763), was about the lives of noble women who passed their lives out of public sight within the walls of such mansions. In later dynasties red was reserved for the walls of temples and imperial residences. When the Manchu rulers of the Qing Dynasty conquered the Ming and took over the Forbidden City and Imperial Palace in Beijing, all the walls, gates, beams and pillars were painted in red and gold.
Red isn't often used in traditional Chinese paintings, which are usually black ink on white paper with a little green at times added for trees or plants; but the round or square seals which contain the name of the artist are traditionally red.
In the sixteenth and seventeenth centuries
In Renaissance painting, red was used to draw the attention of the viewer; it was often used as the colour of the cloak or costume of Christ, the Virgin Mary, or another central figure. In Venice, Titian was the master of fine reds, particularly vermilion; he used a large number of layers of pigment mixed with a semi-transparent glaze, which let the light pass through, to create a more luminous color.
During the Renaissance trade routes were opened to the New World, to Asia and the Middle East, and new varieties of red pigment and dye were imported into Europe, usually through Venice, Genoa or Seville, and Marseille. Venice was the major depot importing and manufacturing pigments for artists and dyers from the end of the fifteenth century; the catalogue of a Venetian Vendecolori, or pigment seller, from 1534 included vermilion and kermes.
There were guilds of dyers who specialised in red in Venice and additional large Europeans cities. The Rubia plant was used to make the most common dye; it produced an orange-red or brick red colour used to dye the clothes of merchants and artisans. For the wealthy, the dye used was kermes, made from a tiny scale insect which fed on the branches and leaves of the oak tree. For those with even more money there was Polish Cochineal; additionally known as Kermes vermilio or "Blood of Saint John", which was made from a related insect, the Margodes polonicus. It made a more vivid red than ordinary Kermes. The finest and most expensive variety of red made from insects was the "Kermes" of Armenia (Armenian cochineal, additionally known as Persian kirmiz), made by collecting and crushing Porphyophora hamelii, an insect which lived on the roots and stems of certain grasses. The pigment and dye merchants of Venice imported and sold all of these products and additionally manufactured their own color, called Venetian red, which was considered the most expensive and finest red in Europe. Its secret ingredient was arsenic, which brightened the color.
But early in the sixteenth century, a brilliant new red appeared in Europe. When the Spanish conquistadorHernán Cortés and his soldiers conquered the Aztec Empire in 1519-1521, they discovered slowly that the Aztecs had another treasure beside silver and gold; they had the tiny cochineal, a parasitic scale insect which lived on cactus plants, which, when dried and crushed, made a magnificent red. The cochineal in Mexico was closely related to the Kermes varieties of Europe, but unlike European Kermes, it can be harvested several times a year, and it was ten times stronger than the Kermes of Poland. It worked particularly well on silk, satin and additional luxury textiles. In 1523 Cortes sent the first shipment to Spain. Soon cochineal began to reach in European ports aboard convoys of Spanish galleons.
At first the guilds of dyers in Venice and additional cities banned cochineal to protect their local products, but the superior quality of cochineal dye made it impossible to resist. By the beginning of the seventeenth century it was the preferred luxury red for the clothing of cardinals, bankers, courtesans and aristocrats.
The painters of the early Renaissance used two traditional lake pigments, made from mixing dye with either chalk or alum, kermes lake, made from kermes insects, and madder lake, made from the rubia tinctorum plant. With the arrival of cochineal, they had a third, carmine, which made a quite fine crimson, though it had a tendency to change colour if not used carefully. It was used by almost all the great painters of the fifteenth and sixteenth centuries, including Rembrandt, Vermeer, Rubens, Anthony van Dyck, Diego Velázquez and Tintoretto. Later it was used by Thomas Gainsborough, Seurat and J.M.W. Turner.
In the eighteenth and nineteenth centuries
During the French Revolution, Red became a symbol of liberty and personal freedom used by the Jacobins and additional more radical parties. Many of them wore a red Phrygian cap, or liberty cap, modelled after the caps worn by freed slaves in Ancient Rome. During the height of the Reign of Terror, Women wearing red caps gathered around the guillotine to celebrate each execution. They were called the "Furies of the guillotine". The guillotines used throughout the Reign of Terror in 1792 and 1793 were painted red, or made of red wood. During the Reign of Terror a statue of a woman titled liberty, painted red, was placed in the square in front of the guillotine. After the end of the Reign of Terror, France went back to the blue, white and red tricolor, whose red was taken from the traditional colour of Saint Denis, the Christian martyr and patron saint of Paris.
In the mid-19th century, red became the colour of a new political and social movement, socialism. It became the most common banner of the worker's movement, of the French Revolution of 1848, of the Paris Commune in 1870, and of socialist parties across Europe. (see red flags and revolution section below).
As the Industrial Revolution spread across Europe, chemists and manufacturers sought new red dyes that can be used for large-scale manufacture of textiles. One popular colour imported into Europe from Turkey and India in the eighteenth and early nineteenth century was Turkey red, known in France as rouge d'Adrinople. Beginning in the 1740s, this bright red colour was used to dye or print cotton textiles in England, the Netherlands and France. Turkey red used madder as the colorant, but the process was longer and more complicated, involving multiple soaking of the fabrics in lye, olive oil, sheep's dung, and additional ingredients. The fabric was more expensive but resulted in a fine bright and lasting red, similar to carmine, perfectly suited to cotton. The fabric was widely exported from Europe to Africa, the Middle East and America. In nineteenth century America, it was widely used in making the traditional patchwork quilt.
In 1826, the French chemist Pierre-Jean Robiquet discovered the organic compound alizarin, the powerful colouring ingredient of the madder root, the most popular red dye of the time. In 1868, German chemists Carl Graebe and Liebermann were able to synthesise alizarin, and to produce it from coal tar. The synthetic red was cheaper and more lasting than the natural dye, and the plantation of madder in Europe and import of cochineal from Latin America soon almost completely ceased.
The nineteenth century additionally saw the use of red in art to create specific emotions, not just to imitate nature. It saw the systematic study of colour theory, and particularly the study of how complementary colours such as red and green reinforced each additional when they were placed next to each other. These studies were avidly followed by artists such as Vincent van Gogh. Describing his painting, The Night Cafe, to his brother Theo in 1888, Van Gogh wrote: "I sought to express with red and green the terrible human passions. The hall is blood red and pale yellow, with a green billiard table in the center, and four lamps of lemon yellow, with rays of orange and green. Everywhere it is a battle and antithesis of the most different reds and greens."
In the twentieth and twenty-first century
In the twentieth century, red was the colour of Revolution; it was the colour of the Bolshevik Revolution in 1917 and of the Chinese Revolution of 1949, and later of the Cultural Revolution. Red was the colour of Communist Parties from Eastern Europe to Cuba to Vietnam.
In the late nineteenth and early twentieth century, the German chemical industry invented two new synthetic red pigments: cadmium red, which was the colour of natural vermilion, and mars red, which was a synthetic red ochre, the colour of the quite first natural red pigment.
The French painter Henri Matisse (1869–1954) was one of the first prominent painters to use the new cadmium red. He even tried, without success, to persuade the older and more traditional Renoir, his neighbour in the south of France, to switch from vermilion to cadmium red.
Matisse was additionally one of the first 20th-century artists to make colour the central element of the painting, chosen to evoke emotions. "A certain blue penetrates your soul", he wrote. "A certain red affects your blood pressure." He additionally was familiar with the way that complementary colors, such as red and green, strengthened each additional when they were placed next to each other. He wrote, "My choice of colours isn't based on scientific theory; it is based on observation, upon feelings, upon the real nature of each experience ... I just try to find a colour which corresponds to my feelings."
Later in the century, the American artist Mark Rothko (1903–1970) additionally used red, in even simpler form, in blocks of dark, sombre colour on large canvases, to inspire deep emotions. Rothko observed that colour was "only an instrument;" his interest was "in expressing human emotions tragedy, ecstasy, doom, and so on."
Rothko additionally began using the new synthetic pigments, but not always with happy results. In 1962 he donated to Harvard University a series of large murals of the Passion of Christ whose predominant colours were dark pink and deep crimson. He mixed mostly traditional colours to make the pink and crimson; synthetic ultramarine, cerulean blue, and titanium white, but he additionally used two new organic reds, Naphtol and Lithol. The Naphtol did well, but the Lithol slowly changed colour when exposed to light. Within five years the deep pinks and reds had begun to turn light blue, and by 1979 the paintings were ruined and had to be taken down.
Pigments and dyes
Red lac, red lake and crimson lake
Red lac, additionally called red lake, crimson lake or carmine lake, was an important red pigment in Renaissance and Baroque art. Since it was translucent, thin layers of red lac were built up or glazed over a more opaque dark colour to create a particularly deep and vivid color.
Unlike vermilion or red ochre, made from minerals, red lake pigments are made by mixing organic dyes, made from insects or plants, with white chalk or alum. Red lac was made from the gum lac, the dark red resinous substance secreted by various scale insects, particularly the Laccifer lacca from India. Carmine lake was made from the cochineal insect from Central and South America, Kermes lake came from a different scale insect, kermes vermilio, which thrived on oak trees around the Mediterranean. Other red lakes were made from the rose madder plant and from the brazilwood tree.
Red lake pigments were an important part of the palette of sixteenth century Venetian painters, particularly Titian, but they were used in all periods. Since the red lakes were made from organic dyes, they tended to be fugitive, fitting unstable and fading when exposed to sunlight.
The most common synthetic food colouring today is Allura Red AC is a red azo dye that goes by several names including: Allura Red, Food Red 17, C.I. 16035, FD&C Red 40, It was originally manufactured from coal tar, but now is mostly made from petroleum.
In Europe, Allura Red AC isn't recommended for consumption by children. It is banned in Denmark, Belgium, France and Switzerland, and was additionally banned in Sweden until the country joined the European Union in 1994. The European Union approves Allura Red AC as a food colorant, but EU countries' local laws banning food colourants are preserved.
In the United States, Allura Red AC is approved by the Food and Drug Administration (FDA) for use in cosmetics, drugs, and food. It is used in a few tattoo inks and is used in a large number of products, such as soft drinks, children's medications, and cotton candy. On June 30, 2010, the Center for Science in the Public Interest (CSPI) called for the FDA to ban Red 40.
Because of public concerns about possible health risks associated with synthetic dyes, a large number of companies have switched to using natural pigments such as carmine, made from crushing the tiny female cochineal insect. This insect, originating in Mexico and Central American, was used to make the brilliant scarlet dyes of the European Renaissance.
The human eye sees red when it looks at light with a wavelength between 620 and 740 nanometers. Light just past this range is called infrared, or below red, and can't be seen by human eyes, although it can be sensed as heat. In the language of optics, red is the colour evoked by light that stimulates neither the S or the M (short and medium wavelength) cone cells of the retina, combined with a fading stimulation of the L (long-wavelength) cone cells.
Primates can distinguish the full range of the colours of the spectrum visible to humans, but a large number of kinds of mammals, such as dogs and cattle, have dichromacy, which means they can see blues and yellows, but can't distinguish red and green (both are seen as gray). Bulls, for instance, can't see the red colour of the cape of a bullfighter, but they're agitated by its movement. (See color vision).
One theory for why primates developed sensitivity to red is that it allowed ripe fruit to be distinguished from unripe fruit and inedible vegetation. This might have driven further adaptations by species taking advantage of this new ability, such as the emergence of red faces.
Red illumination was (and at times still is) used as a safelight while working in a darkroom as it doesn't expose most photographic paper and a few films. Today modern darkrooms usually use an amber safelight.
In colour theory and on a computer screen
On the color wheel long used by painters, and in traditional colour theory, red is one of the three primary colors, along with blue and yellow. Painters in the Renaissance mixed red and blue to make violet: Cennino Cennini, in his fifteenth century manual on painting, wrote, "If you want to make a lovely violet colour, take fine lac [red lake], ultramarine blue (the same amount of the one as of the other) with a binder" he noted that it could additionally be made by mixing blue indigo and red hematite.
In modern colour theory, additionally known as the RGB colour model, red, green and blue are additive primary colors. Red, green and blue light combined together makes white light, and these three colors, combined in different mixtures, can produce nearly any additional color. This is the principle that's used to make all of the colours on your computer screen and your television. For example, purple on a computer screen is made by a similar formula to that used by Cennino Cennini in the Renaissance to make violet, but using additive colors and light instead of pigment: it is created by combining red and blue light at equal intensity on a black screen. Violet is made on a computer screen in a similar way, but with a greater amount of blue light and less red light.
So that the maximum number of colours can be accurately reproduced on your computer screen, each colour has been given a code number, or sRGB, which tells your computer the intensity of the red, green and blue components of that color. The intensity of each component is measured on a scale of zero to 255, which means the complete list includes 16,777,216 distinct colours and shades. The sRGB number of pure red, for example, is 255, 00, 00, which means the red component is at its maximum intensity, and there's no green or blue. The sRGB number for crimson is 220, 20, 60, which means that the red is slightly less intense and therefore darker, there's a few green, which leans it toward orange; and there's a larger amount of blue,which makes it slightly blue-violet.
Why the sunset is red
As a ray of white sunlight travels through the atmosphere to the eye, a few of the colours are scattered out of the beam by air molecules and airborne particles due to Rayleigh scattering, changing the final colour of the beam that's seen. Colors with a shorter wavelength, such as blue and green, scatter more strongly, and are removed from the light that finally reaches the eye. At sunrise and sunset, when the path of the sunlight through the atmosphere to the eye is longest, the blue and green components are removed almost completely, leaving the longer wavelength orange and red light. The remaining reddened sunlight can additionally be scattered by cloud droplets and additional relatively large particles, which give the sky above the horizon its red glow.
Lasers emitting in the red region of the spectrum have been available after the invention of the ruby laser in 1960. In 1962 the red helium–neon laser was invented, and these two types of lasers were widely used in a large number of scientific applications including holography, and in education. Red helium–neon lasers were used commercially in LaserDisc players. The use of red laser diodes became widespread with the commercial success of modern DVD players, which use a 660 nm laser diode technology. Today, red and red-orange laser diodes are widely available to the public in the form of extremely inexpensive laser pointers. Portable, high-powered versions are additionally available for various applications. More recently, 671 nm diode-pumped solid state (DPSS) lasers have been introduced to the market for all-DPSS laser display systems, particle image velocimetry, Raman spectroscopy, and holography.
Red's wavelength has been an important factor in laser technologies; red lasers, used in early compact disc technologies, are being replaced by blue lasers, as red's longer wavelength causes the laser's recordings to take up more space on the disc than would blue-laser recordings.
- Mars is called the Red Planet because of the reddish colour imparted to its surface by the abundant iron oxide present there.
- Astronomical objects that are moving away from the observer exhibit a Doppler red shift.
- Jupiter's surface displays a Great Red Spot caused by an oval-shaped mega storm south of the planet's equator.
- Red giants are stars that have exhausted the supply of hydrogen in their cores and switched to thermonuclear fusion of hydrogen in a shell that surrounds its core. They have radii tens to hundreds of times larger than that of the Sun. Notwithstanding their outer envelope is much lower in temperature, giving them an orange hue. Despite the lower energy density of their envelope, red giants are a large number of times more luminous than the Sun due to their large size.
- Red supergiants like Betelgeuse and Antares are the biggest variety of red giants, They are huge in size, with radii 200 to 800 times greater than our Sun, but relatively cool in temperature (3500-4500 K), causing their distinct red tint. Because they're shrinking rapidly in size, they're surrounded by an envelope or skin much bigger than the star itself. The envelope of Betelgeuse is 250 times bigger than the star inside.
- A red dwarf is a small and relatively coolstar, which has a mass of less than half that of the Sun and a surface temperature of less than 4,000 K. Red dwarfs are by far the most common type of star in the Galaxy, but due to their low luminosity, from Earth, none is visible to the naked eye.
- Fire is often shown as red in art, but flames are usually yellow, orange or blue. Some elements exhibit a red colour when burned: calcium, for example, produces a brick-red when combusted.
- The red of autumn leaves is produced by pigments called Anthocyanins. They aren't present in the leaf throughout the growing season, but are actively produced towards the end of summer. They develop in late summer in the sap of the cells of the leaf, and this development is the result of complex interactions of a large number of influences—both inside and outside the plant. Their formation depends on the breakdown of sugars in the presence of bright light as the level of phosphate in the leaf is reduced.
During the summer growing season, phosphate is at a high level. It has a vital role in the breakdown of the sugars manufactured by chlorophyll. But in the fall, phosphate, along with the additional chemicals and nutrients, moves out of the leaf into the stem of the plant. When this happens, the sugar-breakdown process changes, leading to the production of anthocyanin pigments. The brighter the light throughout this period, the greater the production of anthocyanins and the more brilliant the resulting colour display. When the days of autumn are bright and cool, and the nights are chilly but not freezing, the brightest colorations usually develop.
Anthocyanins temporarily colour the edges of a few of the quite young leaves as they unfold from the buds in early spring. They additionally give the familiar colour to such common fruits as cranberries, red apples, blueberries, cherries, strawberries, and plums.
Anthocyanins are present in about ten percent of tree species in temperate regions, although in certain areas—most famously New England—up to seventy percent of tree species might produce the pigment. In autumn forests they appear vivid in the maples, oaks, sourwood, sweetgums, dogwoods, tupelos, cherry trees and persimmons. These same pigments often combine with the carotenoids' colours to create the deeper orange, fiery reds, and bronzes typical of a large number of hardwood species. (See Autumn leaf color).
Blood and additional reds in nature
Oxygenated blood is red due to the presence of oxygenated hemoglobin that contains iron molecules, with the iron components reflecting red light.
- When used to describe natural animal coloration, "red" usually refers to a brownish, reddish-brown or ginger color. In this sense it is used to describe coat colours of reddish-brown cattle and dogs, and in the names of various animal species or breeds such as red fox, red squirrel, red deer, European robin, red grouse, red knot, redstart, redwing, red setter, Red Devon cattle, etc. This reddish-brown colour is additionally meant when using the terms red ochre and red hair.
- The red herring dragged across a trail to destroy the scent gets its colour from the heavy salting and slow smoking of the fish, which results in a warm, brown color.
- When used for flowers, red often refers to purplish (red deadnettle, red clover, red helleborine) or pink (red campion, red valerian) colors.
Red hair occurs naturally on approximately 1–2% of the human population. It occurs more frequently (2–6%) in people of northern or western European ancestry, and less frequently in additional populations. Red hair appears in people with two copies of a recessive gene on chromosome 16 which causes a mutation in the MC1R protein.
Red hair varies from a deep burgundy through burnt orange to bright copper. It is characterised by high levels of the reddish pigment pheomelanin (which additionally accounts for the red colour of the lips) and relatively low levels of the dark pigment eumelanin. The term redhead (originally redd hede) has been in use after at least 1510. Cultural reactions have varied from ridicule to admiration; a large number of common stereotypes exist regarding redheads and they're often portrayed as fiery-tempered. (See red hair).
In animal and human behavior
Red is associated with dominance in a number of animal species. For example, in mandrills, red coloration of the face is greatest in alpha males, increasingly less prominent in lower ranking subordinates, and directly correlated with levels of testosterone. Red can additionally affect the perception of dominance by others, leading to significant differences in mortality, reproductive success and parental investment between individuals displaying red and those not. In humans, wearing red has been linked with increased performance in competitions, including professional sport and multiplayer video games. Controlled tests have demonstrated that wearing red doesn't increase performance or levels of testosterone throughout exercise, so the effect is likely to be produced by perceived rather than actual performance. Judges of tae kwon do have been shown to favour competitors wearing red protective gear over blue, and, when asked, a significant majority of people say that red abstract shapes are more "dominant", "aggressive", and "likely to win a physical competition" than blue shapes. In contrast to its positive effect in physical competition and dominance behavior, exposure to red decreases performance in cognitive tasks and elicits aversion in psychological tests where subjects are placed in an "achievement" context (e.g. taking an IQ test).
Courage and sacrifice
Surveys show that red is the colour most associated with courage. In western countries red is a symbol of martyrs and sacrifice, particularly because of its association with blood. Beginning in the Middle Ages, the Pope and Cardinals of the Roman Catholic Church wore red to symbolise the blood of Christ and the Christian martyrs. The banner of the Christian soldiers in the First Crusade was a red cross on a white field, the St. George's Cross. According to Christian tradition, Saint George was a Roman soldier who was a member of the guards of the Emperor Diocletian, who refused to renounce his Christian faith and was martyred. The Saint George's Cross became the Flag of England in the sixteenth century, and now is part of the Union Flag of the United Kingdom, as well as the Flag of the Republic of Georgia.
The Thin Red Line was a famous incident in the Battle of Balaclava (1854) throughout the Crimean War, when a thin line of Scottish Highlander infantry, assisted by Royal Marines and Turkish infantrymen, repulsed a Russian cavalry charge. It was widely reported in the British press as an example of courage in the face of overwhelming odds and became a British military legend.
Courtly love, the red rose, and Saint Valentine's Day
Red is the colour most commonly associated with love, followed at a great distance by pink. It the symbolic colour of the heart and the red rose, is closely associated with romantic love or courtly love and Saint Valentine's Day. Both the Greeks and the Hebrews considered red a symbol of love as well as sacrifice.
The Roman de la Rose, the Romance of the Rose, a thirteenth-century French poem, was one of the most popular works of literature of the Middle Ages. It was the allegorical search by the author for a red rose in an enclosed garden, symbolising the woman he loved, and was a description of love in all of its aspects. Later, in the nineteenth century, British and French authors described a specific language of flowers; giving a single red rose meant 'I love you,'
Saint Valentine, a Roman Catholic Bishop or priest who was martyred in about 296 AD, seems to have had no known connexion with romantic love, but the day of his martyrdom on the Roman Catholic calendar, Saint Valentine's Day (February 14), became, in the fourteenth century, an occasion for lovers to send messages to each other. In recent years the celebration of Saint Valentine' s day has spread beyond Christian countries to Japan and China and additional parts of the world. The celebration of Saint Valentine's Day is forbidden or strongly condemned in a large number of Islamic countries, including Saudi Arabia, Pakistan and Iran. In Saudi Arabia, in 2002 and 2011, religious police banned the sale of all Valentine's Day items, telling shop workers to remove any red items, as the day is considered a Christian holiday.
Happiness, celebration and ceremony
Red is the colour most commonly associated with joy and well being. It is the colour of celebration and ceremony. A red carpet is often used to welcome distinguished guests. Red is additionally the traditional colour of seats in opera houses and theaters. Scarlet academic gowns are worn by new Doctors of Philosophy at degree ceremonies at Oxford University and additional schools. In China, it is considered the colour of good fortune and prosperity, and it is the colour traditionally worn by brides. In Christian countries, it is the colour traditionally worn at Christmas by Santa Claus, because in the fourth century the historic Saint Nicholas was the Greek Christian Bishop of Myra, in modern-day Turkey, and bishops then dressed in red.
Hatred, anger, aggression, passion, heat and war
While red is the colour most associated with love, it additionally the colour most frequently associated with hatred, anger, aggression and war. People who're angry are said to "see red." Red is the colour most commonly associated with passion and heat. In ancient times red was the colour of Mars, the god of War- the planet Mars was named for him because of its red color.
Warning and danger
Red is the traditional colour of warning and danger. In the Middle Ages, a red flag announced that the defenders of a town or castle would fight to defend it, and a red flag hoisted by a warship meant they would show no mercy to their enemy. In Britain, in the early days of motoring, motor cars had to follow a man with a red flag who would warn horse-drawn vehicles, before the Locomotives on Highways Act 1896 abolished this law. In automobile races, the red flag is raised if there's danger to the drivers. In international football, a player who has made a serious violation of the rules is shown a red penalty card and ejected from the game.
Several studies have indicated that red carries the strongest reaction of all the colors, with the level of reaction decreasing gradually with the colours orange, yellow, and white, respectively. For this reason, red is generally used as the highest level of warning, such as threat level of terrorist attack in the United States. In fact, teachers at a primary school in the UK have been told not to mark children's work in red ink because it encourages a "negative approach".
Red is the international colour of stop signs and stop lights on highways and intersections. It was standarized as the international colour at the Vienna Convention on Road Signs and Signals of 1968. It was chosen partly because red is the brightest colour in daytime (next to orange), though it is less visible at twilight, when green is the most visible color. Red additionally stands out more clearly against a cool natural backdrop of blue sky, green trees or grey buildings. But it was mostly chosen as the colour for stoplights and stop signs because of its universal association with danger and warning.
The colour that attracts attention
Red is the colour that most attracts attention. Surveys show it is the colour most frequently associated with visibility, proximity, and extroverts. It is additionally the colour most associated with dynamism and activity.
Red is used in modern fashion much as it was used in Medieval painting; to attract the eyes of the viewer to the person who's supposed to be the centre of attention. People wearing red seem to be closer than those dressed in additional colors, even if they're actually the same distance away. Monarchs, wives of Presidential candidates and additional celebrities often wear red to be visible from a distance in a crowd. It is additionally commonly worn by lifeguards and others whose job requires them to be easily found.
Because red attracts attention, it is frequently used in advertising, though studies show that people are less likely to read something printed in red because they know it is advertising, and because it is more difficult visually to read than black and white text.
Seduction, sexuality and sin
Red by a large margin is the colour most commonly associated with seduction, sexuality, eroticism and immorality, possibly because of its close connexion with passion and with danger.
Red was long seen as having a dark side, particularly in Christian theology. It was associated with sexual passion, anger, sin, and the devil. In the Old Testament of the Bible, the Book of Isaiah said: "Though your sins be as scarlet, they shall be white as snow." In the New Testament, in the Book of Revelation, the Antichrist appears as a red monster, ridden by a woman dressed in scarlet, known as the Whore of Babylon:
"So he carried me away in the spirit into the wilderness: and I saw a woman sit upon a scarlet coloured beast, full of names of blasphemy, having seven heads and ten horns. "And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication: "And upon her forehead was a name written a mystery: Babylon the Great, the Mother of Harlots and of all the abominations of the earth: And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus.
Satan is often depicted as coloured red and/or wearing a red costume in both iconography and popular culture. By the twentieth century, the satan in red had become a folk character in legends and stories. In 1915, Irving Berlin wrote a song, At the Devil's Ball, and the satan in red appeared more often in cartoons and movies than in religious art.
In seventeenth century New England, red was associated with adultery. In the 1850 novel by Nathaniel Hawthorne, The Scarlet Letter, set in a PuritanNew England community, a woman is punished for adultery with ostracism, her sin represented by a red letter 'A' sewn onto her clothes.
Red is still commonly associated with prostitution. Prostitutes in a large number of cities were required to wear red to announce their profession, and houses of prostitution displayed a red light. Beginning in the early twentieth century, houses of prostitution were allowed only in certain specified neighborhoods, which became known as red-light districts. Large red-light districts are found today in Bangkok and Amsterdam.
In both Christian and Hebrew tradition, red is additionally at times associated with murder or guilt, with "having blood on one's hands", or "being caught red-handed."
In different cultures and traditions
In China, red (simplified Chinese: 红; traditional Chinese: 紅; pinyin: hóng) is the symbol of fire and the south (both south in general and Southern China specifically). It carries a largely positive connotation, being associated with courage, loyalty, honor, success, fortune, fertility, happiness, passion, and summer. In Chinese cultural traditions, red is associated with weddings (where brides traditionally wear red dresses) and red paper is frequently used to wrap gifts of money or additional objects. Special red packets (simplified Chinese: 红包; traditional Chinese: 紅包; pinyin: hóng bāo in Mandarin or lai see in Cantonese) are specifically used throughout Chinese New Year celebrations for giving monetary gifts. On the more negative side, obituaries are traditionally written in red ink, and to write someone's name in red signals either cutting them out of one's life, or that they have died. Red is additionally associated with either the feminine or the masculine (yin and yang respectively), depending on the source. The Little Red Book, a collection of quotations from Chairman Mao Tse-Tung, founding father of the People's Republic of China (PRC), was published in 1966 and widely distributed thereafter.
In Japan, red is a traditional colour for a heroic figure. In the Indian subcontinent, red is the traditional colour of bridal dresses, and is frequently represented in the media as a symbolic colour for married women. The colour is associated with purity, as well as with sexuality in marital relationships through its connexion to heat and fertility. It is additionally the colour of wealth, beauty, and the goddess Lakshmi.
In Central Africa, Ndembu warriors rub themselves with red paint throughout celebrations. Since their culture sees the colour as a symbol of life and health, sick people are additionally painted with it. Like most Central African cultures, the Ndembu see red as ambivalent, better than black but not as good as white. In additional parts of Africa, however, red is a colour of mourning, representing death. Because red bears are associated with death in a large number of parts of Africa, the Red Cross has changed its colours to green and white in parts of the continent.
The early Ottoman Turks led by the first Ottoman Sultan, Osman I, carried red banners symbolising sovereignty, Ghazis and Sufism, until, according to legend, he saw a new red flag in his dream inlaid with a crescent.
In a large number of Asian countries, red is the traditional colour for a wedding dress today, symbolising joy and good fortune.
- In India, brides traditionally wear a red sari, called the sari of blood, offered by their father, signifying that his duties as a father are transferred to the new husband, and as a symbol of his wish for her to have children. Once married, the bride will wear a sari with a red border, changing it to a white sari if her husband dies. In Pakistan and India, brides traditionally additionally have their hands and feet painted red with henna by the family of their new spouse, to bring happiness and signify their new status.
- In Christianity, red is associated with the blood of Christ and the sacrifice of martyrs. In the Roman Catholic Church it is additionally associated with pentecost and the Holy Spirit. Since 1295, it is the colour worn by Cardinals, the senior clergy of the Roman Catholic Church. Red is the liturgical color for the feasts of martyrs, representing the blood of those who suffered death for their faith. It is at times used as the liturgical colour for Holy Week, including Palm Sunday and Good Friday, although this is a modern (20th century) development. In Catholic practice, it is additionally the liturgical colour used to commemorate the Holy Spirit (for this reason it is worn at Pentecost and throughout Confirmation masses). Because of its association with martyrdom and the Spirit, it is additionally the colour used to commemorate the Apostles (except for the Apostle St. John, who wasn't martyred, where white is used), and as such, it is used to commemorate bishops, who're the successors of the Apostles (for this reason, when funeral masses are held for bishops, cardinals, or popes, red is used instead of the white that would ordinarily be used).
- In Buddhism, red is one of the five colours which are said to have emanated from the Buddha when he attained enlightenment, or nirvana. It is particularly associated with the benefits of the practise of Buddhism; achievement, wisdom, virtue, fortune and dignity. It was additionally believed to have the power to resist evil. In China red was commonly used for the walls, pillars, and gates of temples.
- In the Shinto religion of Japan, the gateways of temples, called torii, are traditionally painted vermilion red and black. The torii symbolises the passage from the profane world to a sacred place. The bridges in the gardens of Japanese temples are additionally painted red (and usually only temple bridges are red, not bridges in ordinary gardens), after they're additionally passages to sacred places. Red was additionally considered a colour which could expel evil and disease.
The red uniform
The red military uniform was adopted by the English Parliament's New Model Army in 1645, and was still worn as a dress uniform by the British Army until the outbreak of the First World War in August 1914. Ordinary soldiers wore red coats dyed with madder, while officers wore scarlet coats dyed with the more expensive cochineal. This led to British soldiers being known as red coats.
In the modern British army, scarlet is still worn by the Foot Guards, the Life Guards, and by a few regimental bands or drummers for ceremonial purposes. Officers and NCOs of those regiments which previously wore red retain scarlet as the colour of their "mess" or formal evening jackets. The Royal Gibraltar Regiment has a scarlet tunic in its winter dress.
Scarlet is worn for a few full dress, military band or mess uniforms in the modern armies of a number of the countries that made up the former British Empire. These include the Australian, Jamaican, New Zealand, Fijian, Canadian, Kenyan, Ghanaian, Indian, Singaporean, Sri Lankan and Pakistani armies.
The musicians of the United States Marine Corps Band wear red, following an 18th-century military tradition that the uniforms of band members are the reverse of the uniforms of the additional soldiers in their unit. Since the US Marine uniform is blue with red facings, the band wears the reverse.
Red Serge is the uniform of the Royal Canadian Mounted Police, created in 1873 as the North-West Mounted Police, and given its present name in 1920. The uniform was adapted from the tunic of the British Army. Cadets at the Royal Military College of Canada additionally wear red dress uniforms.
The Brazilian Marine Corps wears a red dress uniform.
The first known team sport to feature red uniforms was chariot racing throughout the late Roman Empire. The earliest races were between two chariots, one driver wearing red, the additional white. Later, the number of teams was increased to four, including drivers in light green and sky blue. Twenty-five races were run in a day, with a total of one hundred chariots participating.
Today sports teams throughout the world wear red on their uniforms. Numerous national sports teams wear red, often through association with their national flags. These include teams from Spain (with their association football national team nicknamed La Furia Roja or "The Red Fury"), Belgium (whose football team bears the nickname Rode Duivels or "Red Devils"), additional examples being teams from England, Wales, Canada, Denmark, Tonga, Chile, Puerto Rico, Russia and Switzerland.
Major League Baseball is especially well known for red teams. The Cincinnati Red Stockings are the oldest professional baseball team, dating back to 1869. The franchise soon relocated to Boston and is now the Atlanta Braves, but its name survives as the origin for both the Cincinnati Reds and Boston Red Sox. During the 1950s when red was strongly associated with communism, the modern Cincinnati team was known as the "Redlegs" and the term was used on baseball cards. After the red scare faded, the team was known as the "Reds" again. The Los Angeles Angels of Anaheim are additionally known for their colour red, as are the St. Louis Cardinals, Arizona Diamondbacks, and the Philadelphia Phillies.
In the NHL, red jerseys are worn by the Detroit Red Wings, Washington Capitals, Calgary Flames, Carolina Hurricanes, Chicago Blackhawks, Colorado Avalanche, Minnesota Wild, Montreal Canadiens, Ottawa Senators, Phoenix Coyotes, and the New Jersey Devils.
In association football, teams such as Liverpool, Manchester United, Bayern Munich, Arsenal, Toronto FC, and S.L. Benfica primarily wear red jerseys. Other teams that prominently feature red on their kits include A.C. Milan (nicknamed i rossoneri for their red and black shirts), AFC Ajax, Olympiacos, River Plate, Atlético Madrid, and Flamengo. A red penalty card is issued to a player who commits a serious infraction: the player is immediately disqualified from further play and his team must continue with one less player for the game's duration.
In the NFL, teams with a shade of the colour red as the primary colour of either the team's dark "home" jersey (or an alternate thereof) or its "throwback" jersey include the Arizona Cardinals, Atlanta Falcons, Houston Texans, Kansas City Chiefs, New England Patriots, San Francisco 49ers, Tampa Bay Buccaneers, and Washington Redskins.
The Cleveland Cavaliers basketball team uses a deeper shade of red called wine. A fellow National Basketball Association team, the Los Angeles Clippers, wears red uniforms for road games, as do the Chicago Bulls, Atlanta Hawks, Portland Trail Blazers, Houston Rockets and the Houston Comets of the WNBA. A similar shade to the Cavaliers' tone (known in this instance as claret) is used by the English association football teams Aston Villa, West Ham United, and Burnley.
In boxing, red is often the colour used on a fighter's gloves. George Foreman wore the same red trunks he used throughout his loss to Muhammad Ali when he defeated Michael Moorer 20 years later to regain the title he lost. Boxers named or nicknamed "red" include Red Burman, Ernie "Red" Lopez, and his brother Danny "Little Red" Lopez.
Rosso Corsa is the red international motor racing colour of cars entered by teams from Italy. Since the 1920s Italian race cars of Alfa Romeo, Maserati, Lancia, and later Ferrari and Abarth have been painted with a colour known as rosso corsa ("racing red"). National colours were mostly replaced in Formula One by commercial sponsor liveries in 1968, but unlike most additional teams, Ferrari always kept the traditional red, although the shade of the colour varies.
Red is one of the most common colours used on national flags. The use of red has similar connotations from country to country: the blood, sacrifice, and courage of those who defended their country; the sun and the hope and warmth it brings; and the sacrifice of Christ's blood (in a few historically Christian nations) are a few examples. Red is the colour of the flags of several countries that once belonged to the former British Empire. The British flag bears the colours red, white, and blue; it includes the cross of Saint George, patron saint of England, and the saltire of Saint Patrick, patron saint of Ireland, both of which are red on white. The flag of the United States bears the colours of Britain, the colours of the French tricolore include red as part of the old Paris coat of arms, and additional countries' flags, such as those of Australia, New Zealand, and Fiji, carry a small inset of the British flag in memory of their ties to that country. Many former colonies of Spain, such as Mexico, Colombia, Ecuador, Cuba, Puerto Rico, Peru, and Venezuela, additionally feature red-one of the colours of the Spanish flag-on their own banners. Red flags are additionally used to symbolise storms, bad water conditions, and a large number of additional dangers. Navy flags are often red and yellow. Red is prominently featured in the flag of the United States Marine Corps.
Red, blue, and white are additionally the Pan-Slavic colors adopted by the Slavic solidarity movement of the late nineteenth century. Initially these were the colours of the Russian flag; as the Slavic movement grew, they were adopted by additional Slavic peoples including Slovaks, Slovenes, and Serbs. The flags of the Czech Republic and Poland use red for historic heraldic reasons (see Coat of arms of Poland and Coat of arms of the Czech Republic) & not due to Pan-Slavic connotations. In 2004 Georgia adopted a new white flag, which consists of four small and one big red cross in the middle touching all four sides.
Red, white, and black were the colours of the German Empire from 1870 to 1918, and as such they came to be associated with German nationalism. In the 1920s they were adopted as the colours of the Nazi flag. In Mein Kampf, Hitler explained that they were "revered colours expressive of our homage to the glorious past." The red part of the flag was additionally chosen to attract attention - Hitler wrote: "the new flag ... should prove effective as a large poster" because "in hundreds of thousands of cases a really striking emblem might be the first cause of awakening interest in a movement." The red additionally symbolised the social programme of the Nazis, aimed at German workers. Several designs by a number of different authors were considered, but the one adopted in the end was Hitler's personal design.
Red, white, green and black are the colours of Pan-Arabism and are used by a large number of Arab countries.
Red, gold, green, and black are the colours of Pan-Africanism. Several African countries thus use the colour on their flags, including South Africa, Ghana, Senegal, Mali, Ethiopia, Togo, Guinea, Benin, and Zimbabwe. The Pan-African colors are borrowed from the flag of Ethiopia, one of the oldest independent African countries. Rwanda, notably, removed red from its flag after the Rwandan Genocide because of red's association with blood.
The flags of Japan and Bangladesh both have a red circle in the middle of different coloured backgrounds. The flag of the Philippines has a red trapezoid on the bottom signifying blood, courage, and valour (also, if the flag is inverted so that the red trapezoid is on top and the blue at the bottom, it indicates a state of war). The flag of Singapore has a red rectangle on the top. The field of the flag of Portugal is green and red.
Red flag and revolution
In the Middle Ages, ships in combat hoisted a long red streamer, called the Baucans, to signify a fight to the death. In the seventeenth century, a red flag signalled defiance. A besieged castle or city would raise a red flag to tell the attackers that they wouldn't surrender.
The red flag appeared as a political symbol throughout the French Revolution, after the fall of Bastille. A law adopted by the new government on October 20, 1789 authorised the Garde Nationale to raise the red flag in the event of a riot, to signal that the Garde would imminently intervene. During a demonstration on the Champs de Mars on July 17, 1791, the Garde Nationale fired on the crowd, killed up to fifty people. The government was denounced by the more radical revolutionaries. In the words of his famous hymn, the Marseillaise, Rouget de Lisle wrote: "Against us they have raised the bloody flag of tyranny!" (Contre nous de la tyrannie, l'entendard sanglant est leve). Beginning in 1790, the most radical revolutionaries adopted the red flag themselves, to symbolise the blood of those killed in the demonstrations, and to call for the repression of those they considered counter-revolutionary.
During the French Revolution, a large number of in the Paris crowds additionally wore a red phrygian cap, a symbol of liberty, modelled after the caps worn in ancient Rome by freed slaves; but the colours of the Revolution finally became blue, white and red. The red in the French flag was taken from the emblem of the city of Paris, where it represented the city's patron saint, Saint Denis.
Karl Marx published the Communist Manifesto in February 1848, with little attention. Notwithstanding a few days later the French Revolution of 1848 broke out, which replaced the monarchy of Louis Philippe with the Second French Republic. In June 1848, Paris workers, disenchanted with the new government, built barricades and raised red flags. The new government called in the French Army to put down the uprising, the first of a large number of such confrontations between the army and the new worker's movements in Europe.
Red was additionally the colour of the movement to unify Italy, led by Giuseppe Garibaldi. His followers were known as the camicie rosse, or (redshirts) throughout the fight for Italian Risorgimento in 1860.
In 1870, following the stunning defeat of the French Army by the Germans in the Franco-Prussian War, French workers and socialist revolutionaries seized Paris and created the Paris Commune. The Commune lasted for two months before it was crushed by the French Army, with much bloodshed. The original red banners of the Commune became icons of the socialist revolution; in 1921 members of the French Communist Party came to Moscow and presented the new Soviet government with one of the original Commune banners; it was placed (and is still in place) in the tomb of Vladimir Lenin, next to his open coffin.
With the victory of the Bolsheviks in the Russian Revolution of 1917, the red flag, with a hammer to symbolise the workers and sickle to symbolise peasants, became the official flag of Russia, and, in 1923, of the Soviet Union. It remained so until the breakup of the Soviet Union in 1991.
After the Communist Party of China took power in 1949, the flag of China became a red flag with a large star symbolising the Communist Party, and smaller stars symbolising workers, peasants, the urban middle class and rural middle class. The flag of the Communist Party of China became a red banner with a hammer and sickle, similar to that on the Soviet flag. In the 1950s and 1960s, additional Communist regimes such as Vietnam and Laos additionally adopted red flags. Some Communist countries, such as Cuba, chose to keep their old flags; and additional countries used red flags which had nothing to do with Communism or socialism; the red flag of Nepal, for instance, represents the national flower.
Use by political movements
In 18th-century Europe, red was usually associated with the monarchy and with those in power. The Pope wore red, as did the Swiss Guards of the Kings of France, the soldiers of the British Army and the Danish Army.
The French Revolution saw red used by the Jacobins as a symbol of the martyrs of the Revolution. In the nineteenth century, with the Industrial Revolution and the rise of worker's movements, it became the colour of socialism (especially the Marxistvariant), and, with the Paris Commune of 1870, of revolution.
Red additionally became the colour of a large number of social democratic parties in Europe, including the Labour Party in Britain (founded 1900); the Social Democratic Party of Germany (whose roots went back to 1863) and the French Socialist Party, which dated back under different names, to 1879. The Socialist Party of America (1901–1972) and the Communist Party USA (1919) both additionally chose red as their color.
The Communist Party of China, founded in 1920, adopted the red flag and hammer and sickle emblem of the Soviet Union, which became the national symbols when the Party took power in China in 1949. Under Party leader Mao Zedong, the Party anthem became "The East Is Red", and Mao Zedong himself was at times referred to as a "red sun". During the Cultural Revolution in China, Party ideology was enforced by the Red Guards, and the sayings of Mao Zedong were published as a small red book in hundreds of millions of copies. Today the Communist Party of China claims to be the largest political party in the world, with eighty million members.
Beginning in the 1960s and the 1970s, paramilitary extremist groups such as the Red Army Faction in Germany, the Japanese Red Army and the Shining Path Maoist movement in Peru used red as their color. But in the 1980s, a few European socialist and social democratic parties, such as the Labour Party in Britain and the Socialist Party in France, moved away from the symbolism of the far left, keeping the red colour but changing their symbol to a less-threatening red rose.
Red is used around the world by political parties of the left or center-left. In the United States, it is the colour of the Communist Party USA, of the Social Democrats, USA, and in Puerto Rico, of the Popular Democratic Party of Puerto Rico.
In the United States, political commentators often refer to the "red states", which traditionally vote for Republican candidates in presidential elections, and "blue states", which vote for the Democratic candidate. This convention is relatively recent: before the 2000 presidential election, media outlets assigned red and blue to both parties, at times alternating the allocation for each election. Fixed usage was established throughout the 39-day recount following the 2000 election, when the media began to discuss the contest in terms of "red states" versus "blue states".
Food and drink
Most red foods derive from one of two sources. Plants like apples, strawberries, cherries, tomatoes, peppers, and pomegranates are often coloured by forms of carotenoids, red pigments that additionally assist photosynthesis. Red meat gets its colour from the iron found in the myoglobin and haemoglobin in the muscles and residual blood.
Social and special interest groups
Such names as Red Club (a bar), Red Carpet (a discothèque) or Red Cottbus and Club Red (event locations) suggest liveliness and excitement. The Red Hat Society is a social group founded in 1998 for women 50 and over. Use of the colour red to call attention to an emergency situation is evident in the names of such organisations as the Red Cross (humanitarian aid), Red Hot Organization (AIDS support), and the Red List of Threatened Species (of IUCN). In reference to humans, term "red" is often used in the West to describe the Amerinds, especially in the United States, to refer to Native Americans.
Many idiomatic expressions exploit the various connotations of red:
- Expressing emotion
- "to see red" (to be angry or aggressive)
- "to have red ears / a red face" (to be embarrassed)
- "to paint the town red" (to have an enjoyable evening, usually with a generous amount of eating, drinking, dancing)
- Giving warning
- "to raise a red flag" (to signal that something is problematic)
- "like a red rag to a bull" (to cause someone to be enraged)
- "to be in the red" (to be losing money, from the accounting habit of writing deficits and losses in red ink)
- Calling attention
- "a red letter day" (a special or important event, from the mediaeval custom of printing the dates of saints' days and holy days in red ink.)
- "to print in red ink" (for emphasis or easy identification)
- "to lay out the red carpet" or "give red-carpet treatment" (to treat someone royally as a quite special person)
- "to catch someone red-handed" (in the act of doing something wrong, such with blood on his hands after a murder or poaching game)
- Other idioms
- "to tie up in red tape". In England red tape was used by lawyers and government officials to identify important documents. It became a term for excessive bureaucratic regulation. It was popularised in the nineteenth century by the writer Thomas Carlyle, who complained about "red-tapism".
- "red herring." A false clue that leads investigators off the track. Refers to the practise of using a fragrant smoked fish to distract hunting or tracking dogs from the track they're meant to follow.
- It is a common belief in the United States that red cars are stopped for speeding more often than additional colour cars. Notwithstanding there's no statistical evidence that this is true. Many police departments have denied it, saying their officers stop drivers for their behavior, not the colour of their cars. The one survey that was made on this subject in 1990 by a St. Petersburg, Florida newspaper showed that the number of speeding tickets given to drivers of red cars was about the same as the proportion of red cars on the road in the community.
Many movie titles have included the color's name, such as:
- The Woman in Red, a 1935 American film
- Reds, a 1981 film about Communism in the USA and Russia
- The Woman in Red, a 1984 American comedy film
- Raise the Red Lantern, a 1991 Chinese film directed by Zhang Yimou about a concubine
- Three Colors: Red, a French movie from 1994
- Red, a Tamil movie from 2002
- Red , a 2008 American film
- Red and Red 2, American films from 2010 and 2013
- Red Dog, a 2011 Australian film
- Red State, a 2011 American film
- Red Dawn, 1984 and 2012 American films