Filmgoers first encountered Thandie Newton in the 1991 film Flirting, a tender and skin-crawlingly honest film about young love and budding identity. In her career after then, she’s brought that same intimate touch even to big Hollywood films (she was the moral centre of Mission: Impossible II, for instance, and the quiet heart of the head-banging 2012), while maintaining a strong sideline in art films, like the acclaimed Crash and last year’s adaptation of Ntozake Shange’s For coloured girls ... [+]
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